Last week I took B-cat to see Coastal City Ballet‘s retelling of Swan Lake at Vancouver Playhouse. Compared with Europe, all ballets and operas in Vancouver are expensive, but Coastal City — being a pre-professional company — is the most affordable option here for classical (story) ballets.
That said, they never seem to have nice costumes. I usually attend their performances with S, and her first remark when the topic comes up is always:
They always dance in T-shirts and pants.
Well, S had to work that day, so she missed seeing Prince Siegfried in tights! And prince boots! The other dancers, though, still look as if they raided some five-year-old’s dress-up box.
Here’s an idea of the group composition in more than one scene:
- Three men in modern dress shirts and pants
- Two dancers in lamé ’80s clubwear
- A handful of women in cheap ballet class dresses or those sundresses with legs (?)
- One guy all in mesh
- One guy in an elaborate Romeo shirt and khaki trousers
- Too many people mixing pieces spanning all eras
It’s even part of the story this time — Siegfried’s entourage finds a chest of clothes in a castle, etc. — but only draws attention to how badly dressed they remain when the story doesn’t require it (and made for awkward on-stage changing). And the corps is more mismatched than their wardrobe. They extend their legs to different heights, wobble when they need to hold still, and fall out of pirouettes or jumps, unable to finish properly. It doesn’t look like they even rehearsed in the same room.
What happened, CCB?
Maybe it’s bad for their morale that Sakura Inoue and her friends have pretty pancake tutus. As Odette the girl, Inoue is truly regal, i.e. proud, patient, and without arrogance. She dances beautifully. As the swan, she’s more bird-like and expressive than any I’ve seen. The cygnets, too, have surprising energy and perfect coordination; most professional ballerinas don’t manage to be as uniform as these four.
As for the men, what little Diego Ramalho’s Siegfried lacks in technique he makes up for in acting, and vice versa for his buddy (I think… For some reason the programme lists everyone alphabetically, making identification difficult). And poor Rothbart (Tyler Carver) may be the worst dressed, but he is flawless — turns out he’s a guest artist from the Royal Winnipeg Ballet.
It’s the really good dancers that keep this from becoming a disappointing experience. I wish B-cat’s first Swan Lake were better, but we’d definitely want to see Inoue in other lead roles in the future.
P.S. More than half of the dancers are non-white — how West Coast is that?
Coastal City Ballet’s next production is Swan Lake on June 10 (sold out, it appears).