You may recall my whining about Vancouver Opera’s lousy customer service over the years (and my very subtle gloating about their downsizing into a mere “festival”).
There wasn’t even time for me or other non-fans to feel their absence, because a new company immediately came on the scene: Heroic Opera, whose vision is to “produce only operas of Wagner, Strauss, and Verdi“, put on a production of Wagner’s Die Walkure in June.
[If you’re interested but fuzzy on the details, this is the part of the Ring cycle that deals with Siegmund and twincest, not Siegfried being a hero.]
Like the opera B-cat and I saw last November, this took place in a church. The surtitles were projected (crookedly and with typos) onto a board behind rather than above the artists, who sometimes blocked the view. The wardrobe was contemporary. A couple of the Valkyries were a little wooden…
Nothing really mattered except the voices. The voices were strong and beautiful. Sarah Templeton as Sieglinde was particularly expressive, though her interaction with David Gibbons‘s Siegmund made both of them seem more vulnerable and lovable.
The opera was so good it didn’t feel five hours (including intermission) long.
Oh, and two weeks ago, B-cat took me to Nikkei Centre‘s fundraiser tea & silent auction in return for my taking him to the opera. Proceeds went towards the Japanese-Canadian museum’s exhibitions and programs.
We had a (mini) traditional tea ceremony with Maiko, who taught all the tea ceremony classes we’ve taken, tasted other teas and canapes, and watched two snippets of buyo dance. I enjoyed the dance most of all, though I’m a completely uninformed spectator beyond ballet.
Other than the opera and tea, I’ve missed all the events going on recently, thanks to graveyard shifts and daytime courses.
Don’t be like me; go out and support the arts! If you’re in Vancouver, you can even start tonight with UBC Opera‘s production of Ariadne auf Naxos. Let’s make this a summer of German opera.